NOTATIO

Thanks, tisimst, but I am afraid that we will all be old and gray by the time that happens, especially since it is not in MM's interest to smooth the way for users to switch to Dorico. I think that if someone creates a font similar to Maestro (without violating copyright, of course) they will do wel...

Given the glacial pace of development at MM, as shown by Finale 26, I think that the appearance of a SMuFL-compliant Maestro font is in the far, far future--perhaps never. For that reason, I think that it would be a excellent business proposition for someone to SMuFL-ize Maestro for those of us Fina...

Thanks, David. For me, its actually a little easier to sing as notated, since my ears are firmly stuck in tonality and don't make much sense out of a series of chromatic intervals unless they hear the underlying harmony.

Berg is generating dissonant chords by using unresolved appoggiaturas alla Schoenberg. The Bb and G# are double chromatic appoggiaturas resolving to an understood A in the basic D harmony represented by the first two measures. The Bb is spelled as a neighboring tone as usual. Note the E augmented tr...

MM seems to have concluded that it can't compete with Dorico in the long run and will hold on for as a long as possible by making a few less costly improvements from time to time. Unfortunately, Dorico doesn't have everything I need at this point, so I will have to put up with Finale for a while lon...

Reading about the latest improvements seems to make Finale 26 a bust for me on a Mac, as I have never had speed issues. I will use my Finale upgrade money toward a future paid version of Dorico. It seems more likely than not that Dorico will surpass Finale in two years.

Your system sounds quite logical to me, Anders, and certainly wouldn't be confusing to players or disturb the appearance of the engraving since you carry it out consistently.

Gould has a discussion of this on page 104. (The following comments do not consider the case where a hairpin continues from a previous staff.) She says that the hairpin should start on the left side of the first note head, a practice I try to follow, unless, of course, there is a dynamic marking und...

Or just teach people to hold notes for the written duration unless expressly indicated otherwise! If musical notation were as unambiguous as a fool-proof manual, some of us, at least, would be out of work. Or, work would be a bit dull. As Anders implies, the length of a note also varies with contex...

A further complication is that one must take context into account to interpret all musical symbols, even the exact pitch of the notes themselves. This explains why, as David Ward points out, ten. can mean something different in an Italian opera and a Beethoven sonata, or as Anders Hedelin points out...