This is definitely autographed (i.e. hand-written). The slurs were made with french curves.
Beautiful handwriting indeed! I wonder if this could have been done by Langensheidt (sp?) who autographed many of Berg's scores (for instance, the Chamber Concerto)?
Search found 126 matches
- 13 Mar 2017, 12:10
- Forum: Engraving Commentaries
- Topic: Interesting clef inconsistency - any explanations?
- Replies: 8
- Views: 14828
- 06 Mar 2017, 18:01
- Forum: Other: Publishing production and Sales
- Topic: Copyright question (Schoenberg Serenade).
- Replies: 11
- Views: 44543
Re: Copyright question (Schoenberg Serenade).
Schoenberg is PD in Canada, where the term is life plus 50 years. This is where the server you (probably) found it is based.
- 27 Feb 2017, 18:47
- Forum: Notation Rules and Standards
- Topic: Place in score of drum set staff
- Replies: 8
- Views: 11652
Re: Place in score of drum set staff
Actually not so unique. Many of the John Williams Signature Series Suites (Hal Leonard) use this exact method - several copies of percussion score and also individual parts.
- 23 Feb 2017, 13:17
- Forum: Notation Rules and Standards
- Topic: Place in score of drum set staff
- Replies: 8
- Views: 11652
Re: Place in score of drum set staff
In orchestra scores I've often seen it below all other percussion.
- 20 Feb 2017, 13:17
- Forum: Books and Sites
- Topic: Music Preparation Guidelines (from MOLA)
- Replies: 18
- Views: 30892
Re: Music Preparation Guidelines (from MOLA)
I think that I would have to experience the VPC machine first hand, because from the descriptions, it doesn't seem substantial enough for my uses. I don't want to worry about pages falling out. Perfect binding would seem to be more substantial than the VPC system and yet pages drop out after some u...
- 18 Feb 2017, 21:00
- Forum: Books and Sites
- Topic: Music Preparation Guidelines (from MOLA)
- Replies: 18
- Views: 30892
Re: Music Preparation Guidelines (from MOLA)
How else does one conveniently bind parts that have more pages than can be stapled into one signature? Perfect bindings, gluing signatures together, taping, Gamble hinges etc. are all problematic, at least for me. Perhaps a new thread on binding techniques would be helpful. I use a slant style bind...
- 17 Feb 2017, 19:39
- Forum: Books and Sites
- Topic: Music Preparation Guidelines (from MOLA)
- Replies: 18
- Views: 30892
Re: Music Preparation Guidelines (from MOLA)
Spiral bound parts are a nightmare for orchestra librarians. They take up a lot of storage space and the spirals are always getting tangled up with each other. Spiral binding may be OK for solo or chamber music, but when you are dealing with 60 or 70 separate parts they are a major nuisance.
- 16 Feb 2017, 23:58
- Forum: Books and Sites
- Topic: Music Preparation Guidelines (from MOLA)
- Replies: 18
- Views: 30892
Re: Music Preparation Guidelines (from MOLA)
Page 4 refers to full score.John Ruggero wrote: ↑16 Feb 2017, 22:10 Most of it is unobjectionable but on page 4 it says "Each bar should be numbered…" then on page 6 its says "Numbering each measure should be avoided…" What?
Page 6 refers to extracted parts
Makes sense to me.
- 26 Jan 2017, 13:24
- Forum: Notation Rules and Standards
- Topic: 3 beaming choices
- Replies: 18
- Views: 20905
Re: 3 beaming choices
It's the 2nd corno di bassetto part from Mozart's Gran Partita - Adagio. Most probably will be beat in 8. I'm tasked with transposing the parts for alto clarinet as we're lacking corni di bassetto players in deepest rural Lincolnshire! Are you sure you need to do this? The transposition is very eas...
- 25 Jan 2017, 19:45
- Forum: Notation Rules and Standards
- Topic: 3 beaming choices
- Replies: 18
- Views: 20905
Re: 3 beaming choices
I believe this is from Mozart's K.361 Serenade, in which case option C makes a certain amount of sense.