NOTATIO

Luc de Groot (one the best type designers around) has a whole theory of how interpolation works: https://www.lucasfonts.com/learn/interpolation-theory https://www.youtube.com/watch?v=I75Efo7whrs The following page has a nice visual aid to demonstrate how the outlines of a particular font change dep...

@ odod: Thank you, nice, but this does not help to understand the beaming rule... :( @ John: Thank you very much for your detailed answer. However, there are still some things I don't understand; If I follow you, I should write: BWV1001.png Which is not what Bärenreiter edited. Or? Did I miss somet...

i changed the key .. with some minor mistakes here .. dang, this piece is so crowded ..
however the beaming is quite exceptional ... i wonder what is the original handwritten score wrote by Bach himself look like

OCTO wrote: ↑12 Nov 2019, 14:10 I have edited Old Standard, easy emboldened. Let me know what you think.

well done OCTO,
it looks bold on the score, here it is and look at the "g" letter i think it is close with the rounded pony tail

Anyway, i was trying to make a notehead so it can fill in the gap within the space, but the stem on sibelius does not stick well with the notehead ..

ahh snap .. exactly, but this one did not happened in Sibelius though ..

tried different thickness ..

My own designed fonts .. but all not done yet
this one done in Finale using yours, but different settings
and i think it was full because it came from a scanned or printed music .. we need to find the digital version for a comparison

Here's some notehead comparison .. some had gaps some don't but the angle also different on each noteheads. Screen Shot 2019-10-14 at 13.29.37.png Screen Shot 2019-10-14 at 13.29.22.png Screen Shot 2019-10-14 at 13.29.11.png Screen Shot 2019-10-14 at 13.28.21.png Screen Shot 2019-10-14 at 13.27.59.p...

My thoughts are :

1. Line Thickness
2. Beam Thickness
3. Note Spacing
4. Specialized "Flag Shape"
5. etc

indeed a neat house style.
Here's my attempt