NOTATIO

I would love a generic alignment tool that allows you to snap two object's positions together easily, or space things evenly. I would also love a grouping/attaching function so that when one thing is moved another moves right along with it. Oh, yes. A kind of InDesign or Illustrator tool. Snapping,...

Anyone interested in a thread on work-flow? How one works definitely impacts proofreading. Yes, a great idea! In months to come I will do a massive work, and that would be of a great help (also sharing my experiences!). One of my greatest problems is getting over my Arnstein training. We did everyt...

My practice thus far is to proofread at the piano on hard copy only after the piece is completely done. I seem to catch things better than at a desk. Wonderful. The playback can check almost only the pitches. What about missing hairpins, missing slurs... Playing the score is one of the most crucial...

Here's Ted Ross's proofreading system (which I have used quite successfully): Thanks for sharing that. Of course, some of these are a bit outdated with the digital engraving, but anyway good to keep in mind! I always compose by hand and I have a copyist that does the basic job for me. So I use foll...

I find the Russian edition Muzgiz also very accurate, ...but not so beautiful.

BTW, my question about the spacing of seconds have thus far been ignored by the staff on the Dorico forum. This leaves me a bit worried whether they actually intend for Dorico to handle these situations similarly to Lilypond or not, that is: correctly or incorrectly, at least in my personal opinion...

One of numerous clef misses.

From Daphnis et Chloé by Durand et Cie.
Why pizz and not pizz.?
Saving punches, saving ink, saving space?

Consider for example: … instead of: I think your both version of numbers are very beautiful, and can be used as a text font in (my) scores. The open 4 variant is more "old" looking, and closed 4 variant is more after 1900. I would rather use the closed, more straight variant in my music. ...