NOTATIO

(Shared link via TapaTalk, therefore that title.)

Very interesting to read!

http://james-ingram-act-two.de/stockhau ... tware.html

Here is the last chapter from "The Art of Music Copying" by Clinton Roemer.

Edit: John's FIRST example no 1. (Not no 2)

Bartok uses sometimes dashed barlines to stress an independent phrasing. Many contemporary composers use it along the tempo changes, but for me as a player it is better to keep it as common as possible (in ensemble, to say: not solo music). That is Messiaen's fourth style. John's approach no2 could ...

That looks very playable, John. I would add accents to emphasise the 'tuplet' rhythm.

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Indeed interesting. In this case, IMO, I would keep completely regular rhythm and regular beaming. I would use just accents for stressing (as, for instance, Piazzolla does in his tangos, where 4/4 is actually 3+3+2/8.) In your example, David, I have to many information to deal with. Non-stress that ...

Interestin example, John. That's very tiresome to read. We are definitely witnessing better notation standards today.
Is there any new edition of these pieces?

Sorry, I was typing incorrectly. I mean, the engraver, or Debussy, omitted (dotted quarter rest). But there is a dotted half rest.

From Durand's edition of "Rondes de Printemps".
Interesting that omitting the quarter rest is very strict and forced.
ADD EDIT: I mean, omitting the quarter dot rest.