The treble clef as handwritten by great composers

Music notation symbols, fonts, font sources and font creation, SmuFL.
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liuscorne
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Re: The treble clef as handwritten by great composers

Post by liuscorne »

Stravinsky again, 1927. Bass clef looks kind of sad, though.
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John Ruggero
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Re: The treble clef as handwritten by great composers

Post by John Ruggero »

Bartok:
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OCTO
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Re: The treble clef as handwritten by great composers

Post by OCTO »

liuscorne wrote:
03 Nov 2017, 16:10
Stravinsky again, 1927. Bass clef looks kind of sad, though.
Love this one. "Piano" is almost ready for font creation.
Calligraphic pens give the best results.
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John Ruggero
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Re: The treble clef as handwritten by great composers

Post by John Ruggero »

Handel. Both forms are found in Messiah:
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John Ruggero
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Re: The treble clef as handwritten by great composers

Post by John Ruggero »

Prokofiev:
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John Ruggero
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Re: The treble clef as handwritten by great composers

Post by John Ruggero »

Berlioz:
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Arensky:
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OCTO
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Re: The treble clef as handwritten by great composers

Post by OCTO »

Arensky, wow!
I am wondering how it would look to create a font based on one of these, as Arensky, and use it in Finale/Sibelius...
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John Ruggero
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Re: The treble clef as handwritten by great composers

Post by John Ruggero »

I agree, OCTO. So far, Arensky seems to be the winner. But one also notices that there is no correlation between the beauty of the handwriting and the quality of the music.
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erelievonen
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Re: The treble clef as handwritten by great composers

Post by erelievonen »

John Ruggero wrote:
12 Nov 2017, 15:14
I agree, OCTO. So far, Arensky seems to be the winner. But one also notices that there is no correlation between the beauty of the handwriting and the quality of the music.
"The better the handwriting, the better the composer."
Or not.

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OCTO
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Re: The treble clef as handwritten by great composers

Post by OCTO »

erelievonen wrote:
12 Nov 2017, 15:54
John Ruggero wrote:
12 Nov 2017, 15:14
I agree, OCTO. So far, Arensky seems to be the winner. But one also notices that there is no correlation between the beauty of the handwriting and the quality of the music.
"The better the handwriting, the better the composer."
Or not.
I think John means the quality of notation practice, not beauty of lines and curves.
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