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Re: The treble clef as handwritten by great composers

Posted: 03 Nov 2017, 16:10
by liuscorne
Stravinsky again, 1927. Bass clef looks kind of sad, though.

Re: The treble clef as handwritten by great composers

Posted: 03 Nov 2017, 22:00
by John Ruggero
Bartok:
Bartok.jpg
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Re: The treble clef as handwritten by great composers

Posted: 08 Nov 2017, 00:09
by OCTO
liuscorne wrote: 03 Nov 2017, 16:10 Stravinsky again, 1927. Bass clef looks kind of sad, though.
Love this one. "Piano" is almost ready for font creation.
Calligraphic pens give the best results.

Re: The treble clef as handwritten by great composers

Posted: 10 Nov 2017, 14:27
by John Ruggero
Handel. Both forms are found in Messiah:
Handel 1.jpeg
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Handel 2.jpeg
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Re: The treble clef as handwritten by great composers

Posted: 11 Nov 2017, 17:31
by John Ruggero
Prokofiev:
Prokofiev Grand Staff.jpg
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Re: The treble clef as handwritten by great composers

Posted: 12 Nov 2017, 02:56
by John Ruggero
Berlioz:
Berlioz.jpeg
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Arensky:
Arensky.jpeg
Arensky.jpeg (33.62 KiB) Viewed 14920 times

Re: The treble clef as handwritten by great composers

Posted: 12 Nov 2017, 06:59
by OCTO
Arensky, wow!
I am wondering how it would look to create a font based on one of these, as Arensky, and use it in Finale/Sibelius...

Re: The treble clef as handwritten by great composers

Posted: 12 Nov 2017, 15:14
by John Ruggero
I agree, OCTO. So far, Arensky seems to be the winner. But one also notices that there is no correlation between the beauty of the handwriting and the quality of the music.

Re: The treble clef as handwritten by great composers

Posted: 12 Nov 2017, 15:54
by erelievonen
John Ruggero wrote: 12 Nov 2017, 15:14 I agree, OCTO. So far, Arensky seems to be the winner. But one also notices that there is no correlation between the beauty of the handwriting and the quality of the music.
"The better the handwriting, the better the composer."
Or not.

Re: The treble clef as handwritten by great composers

Posted: 12 Nov 2017, 20:47
by OCTO
erelievonen wrote: 12 Nov 2017, 15:54
John Ruggero wrote: 12 Nov 2017, 15:14 I agree, OCTO. So far, Arensky seems to be the winner. But one also notices that there is no correlation between the beauty of the handwriting and the quality of the music.
"The better the handwriting, the better the composer."
Or not.
I think John means the quality of notation practice, not beauty of lines and curves.