NOTATIO

Happy to hear!
I will make an update of OMS soon.

I'm looking for a font or simple symbols that I can use in text layout programs for time signatures. They are surprisingly hard to find, even in the several music fonts I have. TIA It depends. What typesetting software do you use? If you are serious about the outcome, I would recommend using LaTeX....

Bravo Nordine!
I like the more heavy lines, particularly it is obvious in the Ferneyhough example. It is almost needed in order to balance the font.
I think you use Old Standard as a font type, which is somehow too thin and sharp-elegant. Check my Old Music Standard, try it with your examples.

mburns wrote: ↑10 Mar 2025, 22:20I'd be really interested to hear what you all think. Done in Lilypond 2.25.24.

Except what is earlier said, I can say: BRAVO! Very beautiful.
Also, I am getting into LilyPond now, what a tool.

Also, well done odod!

In a large multi-movement, or even more a multi-scene and multi-act piece, numbered rehearsal marks that continue their sequence for the entire piece are a quick way to a given place when a question is asked if there are numerous bar number regions (and thus many bars 107 [eg]). 1st bassoon to DW a...

My idea: (VП freely)

And a preceding letter, the Issue earlier.

A white paper that appeared in Journal of Music Theory vol. 17 iss. 2, 1973.
An interesting historical record in the development of computerized notation.

benwiggy wrote: ↑13 Nov 2024, 11:16(or in the case of MuseScore, Russian money)

Interesting.
Any source?

MichelRE wrote: ↑30 Oct 2024, 00:01 here's the end result I went with.

I'm not sure if the tempo should be 68, as it is not valid at the traditional Maelzel scale. A tempo of 69 might be better. Yes, I know that with modern digital metronomes, any tempo is possible (consider Stockhausen's 83.5, for example).