NOTATIO

@benwiggy - in your opinion, what type of works look best for Splentino?

I have found that leger lines in Dorico for cued music are far too spindly, and I increase them by 1/4 space to make them more visible.

I'm not sure offhand the percentage difference between cued notes and grace notes, but I'm sure it's not far.

Probably something close to "metric modulation," though in the case above it's showing that the half note remains the same tempo.

Looks good!

I really like the simplicity of the upper staff, though I would break the beams.

Really enjoying working in 6.1 right now.

I number every bar. It takes a little time to clean up sometimes, but it is always worth it in the time saved in rehearsal.

I'm eagerly awaiting approval from the "boss" to purchase the update!

As a persnickety composer, I can't wait to run the proofreading tool on my existing compositions and see what (Dorico thinks) I've missed.

I'm vacillating between really liking the noteheads and not liking them. Very clear to read!

I prefer to use measure numbers, and I use boxed rehearsal marks (which are also measure numbers) at obvious phrases in the music so that musicians don't get lost.