NOTATIO

OCTO wrote: ↑10 Nov 2021, 08:03

Tokkemon wrote: ↑10 Nov 2021, 07:04 Carl Fischer uses Maestro Wide for almost all its scores now, despite them being in Sibelius, with Times or Minion Pro.

So basically they ported Maestro to Sibelius?

Yes, I believe the mapping is similar enough that it just works. Sometimes you have to move the odd symbol but that's rare.

Just to jump in: from my time at Carl Fischer and Theodore Presser, it was a mix of Sibelius, Finale, and SCORE. The two older editors used SCORE for most scores they did themselves, though Sibelius was also prominent. Finale used to be far more prominent, especially in the band and choral sphere, b...