NOTATIO

Thanks for sharing this Harald! He is incredible!

David Ward wrote: ↑27 May 2025, 21:04
There is a logic to the solution suggested by NorFonts, but it somehow seems wrong psychologically. Does that make any sense? Or am I being fanciful?

Here are another two suggestions:

For clarity, –I think– I’d note it like this:

No need for those files

OCTO, your fonts are always on point! You’re making some seriously cool designs. I’d like to make a small tweak to the kernings. Once I’ve got it sorted, I’ll post the correction here. Many thanks.

Bravo Nordine! I like the more heavy lines, particularly it is obvious in the Ferneyhough example. It is almost needed in order to balance the font. I think you use Old Standard as a font type, which is somehow too thin and sharp-elegant. Check my Old Music Standard, try it with your examples. Glad...

Hi Roland, Thanks for your encouragements :-D Well, my goal with each NorFonts font I have previously designed and especially this design was to achieve a balance of elegance and meticulous craftsmanship. To ensure its versatility, I'm providing three weight options at an accessible price point. The...

Hi, I am pleased to announce the release of my latest engraver font, Vintage Plate, which features three styles: Standard, Heavy, and Lighter. These styles accurately capture the vintage aesthetic of smooth music notation. Below are some PDF excerpts for your reference: https://norfonts.ma/en/wp-con...

The website is in japanese: https://chaconne-ex.stonemusic.jp/

Out of topic (maybe):

— Don't you think that Sibelius might have the same end like Finale in the next 10 years or so? I feel that Dorico will be an all time winner.