Search found 64 matches

by Harpsichordmaker
19 Jun 2021, 17:48
Forum: Texts&Blogs
Topic: The biggest scandal in music publishing
Replies: 32
Views: 47465

Re: The biggest scandal in music publishing

Yes, I agree. Though, Scarlatti hasn't so many ornament signs, just a longer or shorter "shake" (the usual pralltriller or mordant). Nothing comparable to the French's or Bach's tables of ornaments. Its meaning is to be imagined as we have no table of ornaments, and it seems more than like...
by Harpsichordmaker
19 Jun 2021, 14:17
Forum: Texts&Blogs
Topic: The biggest scandal in music publishing
Replies: 32
Views: 47465

Re: The biggest scandal in music publishing

I just checked on the Fadini edition, which looks like an excellent critical edition. Ricordi says that it is free from editorial suggestions etc. so what is still needed is a complete, well-edited, urtext edition at a reasonable price. Something like what is available for the complete works of all...
by Harpsichordmaker
15 Jun 2021, 18:57
Forum: Texts&Blogs
Topic: The biggest scandal in music publishing
Replies: 32
Views: 47465

Re: The biggest scandal in music publishing

John, it’s a pity very few people outside the harpsichord world (and even inside the harpsichord world) do know the Fadini Edition (Ricordi publ.). Emilia Fadini was an Italian scholar and harpsichordist who dedicated her life to Scarlatti and to concerts and teaching (most of the nouvelle vague of ...
by Harpsichordmaker
11 Apr 2021, 08:02
Forum: Notation Rules and Standards
Topic: The Nota Bene in Beethoven's op. 90
Replies: 4
Views: 2991

Re: The Nota Bene in Beethoven's op. 90

John Ruggero wrote: 30 Mar 2021, 14:58 To understand why it sounds better requires analysis.

op 90.1 m 196-197.jpeg
(To be continued.)
Please do.
by Harpsichordmaker
06 Mar 2021, 23:16
Forum: Books and Sites
Topic: An interesting discussion
Replies: 0
Views: 12092

An interesting discussion

I hope it’s not forbidden to post links to other forums.
There is a very interesting discussion on Typedrawers, concerning a new software for rinascimental music, music fonts and the like.

https://typedrawers.com/discussion/3965 ... n-software
by Harpsichordmaker
24 Feb 2021, 23:19
Forum: Type and Font Design
Topic: Up- and down- flags: different widths
Replies: 3
Views: 2882

Up- and down- flags: different widths

Sorry if this has already been discussed. I was reading Leonardo Vinci’s “Erighetta e don Chilone”, ETS Edition, and I noticed the down-stem note flags have a larger width than the up-stem’s: IMG_9766p.jpg I - sort of - like it. The down-stem flags nicely support the nothehead, while the up-stem fla...
by Harpsichordmaker
24 Jan 2021, 22:58
Forum: Type and Font Design
Topic: SCORE-based fonts
Replies: 11
Views: 19095

Re: SCORE-based fonts

Time to produce fonts with different weights to adapt to the various line widths? I mean, something like the "pro" text fonts: caption, regular, display and so on. I didn’t know until today, but I discovered this is something Lilypond does, hence the fonts coming with LP come in different...
by Harpsichordmaker
22 Jan 2021, 14:29
Forum: Type and Font Design
Topic: SCORE-based fonts
Replies: 11
Views: 19095

Re: SCORE-based fonts

We do say that :) It's maybe worth pointing out that the weight of the symbols in SCORE's output is down to what line width setting you use when printing (i.e. generating the EPS); that determines what width of stroke is applied to the paths of all symbols, though it's possible to specify a modifie...
by Harpsichordmaker
21 Jan 2021, 20:14
Forum: Type and Font Design
Topic: SCORE-based fonts
Replies: 11
Views: 19095

SCORE-based fonts

From here: https://notat.io/viewtopic.php?f=4&t=695 It is font Vienna, used in Finale. I do love that font too, and yes half notehead is one of the finest among all fonts in my opinion. It is based on SCORE. Thanks OCTO. After reading your post I did a research on SCORE-derived fonts, and found ...
by Harpsichordmaker
20 Jan 2021, 19:34
Forum: Type and Font Design
Topic: Comparison of music text fonts
Replies: 7
Views: 4024

Re: Comparison of music text fonts

N. 3. It is dark and very legible notwithstanding the low x-height. It’s condensed, which helps in many scores.