What paper sizes are available in the US for orchestras to print parts themselves?
My guess is that Letter is not an option.
Parts paper size in US
Parts paper size in US
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Re: Parts paper size in US
No, the smallest we would accept was 9X12 (inches) with a 7mm staff.
Preferred size was 10X13 (same as a standard Kalmus part) but we had to have that custom cut. However, many professional orchestra libraries use this size.
9.5X13 is also common.
I think G. Schirmer used to use a very large size, around 11X14, but i don't think that is the case any more.
Preferred size was 10X13 (same as a standard Kalmus part) but we had to have that custom cut. However, many professional orchestra libraries use this size.
9.5X13 is also common.
I think G. Schirmer used to use a very large size, around 11X14, but i don't think that is the case any more.
Re: Parts paper size in US
I use the MOLA recommended paper sizes:
9x12 for parts.
9.5x12.5 for chamber music.
and orchestral scores range from 11x14 to 12x18.
these are all readily available at the Canadian Music Center, for members.
9x12 for parts.
9.5x12.5 for chamber music.
and orchestral scores range from 11x14 to 12x18.
these are all readily available at the Canadian Music Center, for members.
Re: Parts paper size in US
One more piece of advice:
I assume you are sending PDF's to a US orchestra. Best bet is to get in touch with their librarian (*NOT* the orchestra manager - they will say anything to make their job easier) and see what they prefer.
As a librarian, I (and many of my colleagues) disliked composers sending PDF's rather than printed parts. We had enough to do without the extra printing and binding work this entails. That being said, I realize this is sometimes unavoidable, so we did what we could.
Another option would be to send the PDF's to someplace like NYC Music Services, which could print any size, bind, and ship the parts. Of course, the orchestra should cover that cost.
I assume you are sending PDF's to a US orchestra. Best bet is to get in touch with their librarian (*NOT* the orchestra manager - they will say anything to make their job easier) and see what they prefer.
As a librarian, I (and many of my colleagues) disliked composers sending PDF's rather than printed parts. We had enough to do without the extra printing and binding work this entails. That being said, I realize this is sometimes unavoidable, so we did what we could.
Another option would be to send the PDF's to someplace like NYC Music Services, which could print any size, bind, and ship the parts. Of course, the orchestra should cover that cost.