Messiaen score, strange notation
Posted: 27 Apr 2022, 19:05
I'm reading along with the music as I listen to Messiaen's "L'Ascension".
I'm noting lots of strange notation quirks.
For example, he seems to always use upside down "Down bow" markings, even when they're above the staff, no divisi, nothing. I'm not seeing any particular reason for this. All the "Up bow" markings are as one would expect them. This only seems to apply to his "Down bows".
Another one, which I find makes the score harder to read, is that all tied notes, the ties only seem to attach from the "tied to" note, like a short backward "L.V." marking. That seems a rather major change from standard practice, isn't it?
I'm noting lots of strange notation quirks.
For example, he seems to always use upside down "Down bow" markings, even when they're above the staff, no divisi, nothing. I'm not seeing any particular reason for this. All the "Up bow" markings are as one would expect them. This only seems to apply to his "Down bows".
Another one, which I find makes the score harder to read, is that all tied notes, the ties only seem to attach from the "tied to" note, like a short backward "L.V." marking. That seems a rather major change from standard practice, isn't it?