Search found 584 matches
- 01 Sep 2025, 09:16
- Forum: Notation Rules and Standards
- Topic: Dynamics - neither loud nor soft
- Replies: 9
- Views: 1642
Re: Dynamics - neither loud nor soft
I think one should be wary of using mezzo on its own as a dynamic, in case it is confused with mezza , an abbreviation for mezza voce which is primarily, but not exclusively, a vocal direction to use a half tone, which is usually rather quiet (more likely sounding pp than mp ). This is cancelled by ...
- 20 Aug 2025, 19:32
- Forum: Notation Rules and Standards
- Topic: 6/8 Tuplet question
- Replies: 15
- Views: 19491
- 20 Aug 2025, 19:06
- Forum: Notation Rules and Standards
- Topic: 6/8 Tuplet question
- Replies: 15
- Views: 19491
Re: 6/8 Tuplet question
I always write dotted notes, as in the first beat of D. For the second beat of D I would have dotted semiquavers (16ths). No-one playing what I have written thus has ever hesitated or questioned the meaning, or indeed commented either for or against. What I might add, is that the hybrid look of D co...
- 05 Aug 2025, 07:06
- Forum: Type and Font Design
- Topic: NUME a New Understanding of Musical Expression
- Replies: 26
- Views: 54552
Re: NUME a New Understanding of Musical Expression
… … … 4) You wrote: "notice that the C# in the D major scale is called Db in the Ab major scale. ... Although these are the same note, they are not even displayed on the same line or space of the staff line." These are the same note in the sense that a keyboard player on an equal-tempered...
- 31 Jul 2025, 09:22
- Forum: Problems and Solutions (Help)
- Topic: Multi movement work
- Replies: 9
- Views: 58485
Re: Multi movement work
I think that everything you want can be done in Finale. However, you might be better to ask for detailed help on https://www.finaleforum.com/
- 20 Jul 2025, 09:41
- Forum: Notation Rules and Standards
- Topic: Modern convention on this cello passage
- Replies: 23
- Views: 141554
Re: Modern convention on this cello passage
Apropos of the presence or absence of markings in 19th century scores, I find the difference in approach between the vocal markings, dynamics, tone colour et al , of Verdi and Wagner, both born in 1813, fascinating. Wagner is very sparing with such markings, while in his maturity Verdi sometimes has...
- 17 Jul 2025, 18:43
- Forum: Notation Rules and Standards
- Topic: Distance from the left bar line
- Replies: 9
- Views: 38610
Re: Distance from the left bar line
This is not something I've thought about, but I suspect you may be right and that over consistency in this matter can look rather mechanical. Interesting placement of bass clefs in the first example: was this a normal convention at the time? FWIW Out of idle curiosity, and with no idea what I might ...
- 14 Jul 2025, 19:19
- Forum: Notation Rules and Standards
- Topic: Modern convention on this cello passage
- Replies: 23
- Views: 141554
Re: Modern convention on this cello passage
My uncertain interpretation (I learnt the cello to Grade VIII in my 1950s adolescence, although I became a trombonist): first pair, G as an octave harmonic plus D on open D string; next three pairs A, B, A on the D string, the D's all on the G string. However, I'm not certain, so a currently active ...
- 08 Jul 2025, 11:53
- Forum: Type and Font Design
- Topic: Plantin-Moretus Printing Museum in Antwerp
- Replies: 5
- Views: 106124
Re: Plantin-Moretus Printing Museum in Antwerp
Thank you for posting this: it's very interesting.
- 01 Jul 2025, 10:18
- Forum: Engraving Commentaries
- Topic: Staff and leger line thicknesses
- Replies: 17
- Views: 223010
Re: Staff and leger line thicknesses
I didn't even notice the time signatures, but, yes, they do look a bit large. In the years (decades) when I hand copied many of my own parts, I always made time signatures larger than the staves. However, in typeset music that does seem to look a bit wrong. I too would not object if the stave, ledge...